翻訳と辞書
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・ The Faerie Queene
・ The Faerie Wars Chronicles
・ The Faery Handbag
・ The Faery Queen
・ The Faery Tale Adventure
・ The Failing Light
・ The Failing of Raymond
・ The Failure
・ The Failure Epiphany
・ The Failure of the New Economics
・ The Failures
・ The Faint
・ The Faint/Ex-Action Figures
・ The Fair
・ The Fair (film)
The Fair at Sorochyntsi
・ The Fair at Sorochyntsi (short story)
・ The Fair Barbarian
・ The Fair Bride
・ The Fair Co-Ed
・ The Fair Fiorita
・ The Fair Flower of Northumberland
・ The Fair Folk
・ The Fair Jilt
・ The Fair Love
・ The Fair Maid of Perth
・ The Fair Maid of Perth (film)
・ The Fair Maid of the Inn
・ The Fair Maid of the West
・ The Fair of the Dove (1963 film)


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The Fair at Sorochyntsi : ウィキペディア英語版
The Fair at Sorochyntsi

''The Fair at Sorochyntsi'' ((ロシア語:Сорочинская ярмарка), ''Sorochinskaya yarmarka'', ''Sorochyntsi Fair'') is a comic opera in three acts by Modest Mussorgsky, composed between 1874 and 1880 in St. Petersburg, Russia. The composer wrote the libretto, which is based on Nikolai Gogol's short story of the same name, from his early (1832) collection of Ukrainian stories ''Evenings on a Farm near Dikanka''. The opera remained unfinished and unperformed at Mussorgsky's death in 1881.
==Composition history==

Mussorgsky worked on the opera between 1874 and 1880, in competition with his work on ''Khovanshchina'' (1872–1880); both were incomplete at the time of his death in 1881. He reused some music that he had written previously (such as the "Market Scene" from Act II of the ill-fated ''Mlada'' of 1872, used for the opening scene of ''Fair''). Incorporation of the music of ''Night on Bald Mountain'' as a dream sequence involving the hero was a late addition to the scenario in the course of composition, despite the fact that such an episode is not suggested by the original story. Although Mussorgsky managed to complete some numbers and even some of the orchestration, significant portions of the scenario were left without any music at all or only in bare sketches.
Several subsequent composers and editors (cited below) played partial or maximal roles in bringing the work into a performable state. The first staged performance, with spoken sections, occurred on 8 October 1913 in Moscow under Konstantin Saradzhev. Beginning in 1917, the first of several fully sung versions reached the stage.

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